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Isaac Hayes has described watching a newscast of the aftermath of the July 1967 Detroit riots and noticing that Black residents had marked surviving buildings with the word “soul” as a plea to be spared. Hayes and Porter turned that into a song about pride and rising above one’s conditions, deliberately countering negative media images. No lyrics reproduced.
The record features a spoken exclamation aimed at Steve Cropper, referencing his guitar playing. Hayes was on the session at all only because Booker T. Jones, the M.G.’s regular keyboardist, was away at college — so Hayes was brought in to play piano.