Everybody Needs Love cover art
Song Clearance Sheet
5 sources cited

I Heard It Through the Grapevine

Soul1960s
112BPM
C majKey
Tempo/key via GetSongBPM, Deezer
The verdict
Documented Sampling History
Confirmed songwriters of record (Norman Whitfield & Barrett Strong), no formal legal dispute found — the Gladys Knight / Marvin Gaye disagreement over the instrumental track is presented as a documented, unresolved dispute, not settled either way.
Quick Facts
Released1967
AlbumEverybody Needs Love
GenreSoul, R&B, Funk
LabelSoul / Motown Records
ProducerNorman Whitfield
Recorded atHitsville U.S.A., Detroit
Who you need to ask
The songwriters of recordNorman Whitfield & Barrett Strong
Wikipedia · checked Jul 2026
The current administratorNot confirmed — Motown/Tamla/Soul; needs a Songview/Discogs lookup
Unknown · checked Jul 2026
Has it been reused?
One of the most-covered/sampled soul records ever (Marvin Gaye; CCR); part of this catalogue’s Whitfield/Strong thread.
Classic Song of the Daychecked Jul 2026
Do they allow reuse?
No standalone policy found; confirmed songwriters of record and no formal legal dispute.
Compiled from public sourceschecked Jul 2026

The two permissions you need, and who holds them

The song itself (the writing)Norman Whitfield & Barrett Strong
Written 1966 (Strong got the idea from hearing the phrase on Chicago streets). Gladys Knight & the Pips’ version (recorded June 1967) reached #1 R&B, #2 pop; Marvin Gaye’s later version topped the chart in Dec 1968Wikipediachecked Jul 2026
A remarkable double-rejection historySmokey Robinson & the Miracles cut it first (Aug 1966); Gordy rejected it. Whitfield then cut a version with Marvin Gaye (early 1967); Gordy rejected that too. Frustrated, Whitfield recorded it with Gladys Knight & the Pips (June 1967) — Gordy finally released this one, a #1 R&B / #2 pop hit. Even then Gordy held back Gaye’s earlier version until a Chicago DJ played it heavily, forcing its single release in Oct 1968.
Udiscovermusicchecked Jul 2026
The Knight / Gaye disagreement (unresolved)Gladys Knight was reportedly displeased that Gaye’s version overtook hers, and has claimed Gaye’s was recorded over an instrumental track Whitfield had originally prepared for a Pips song — an allegation Gaye directly denied. Presented here as a real, documented disagreement between two artists, NOT resolved either way.
A documented allegation and denial; not independently resolvedFandomchecked Jul 2026
The recording (current administrator)Not confirmed
Motown / Tamla / Soul (labels across the versions) — needs a Songview/Discogs lookup. No formal legal dispute found — the Knight/Gaye disagreement is interpersonal, not a lawsuitchecked Jul 2026

Receipts

Every public mention of terms, policy, or past deals we've found

A unique chart distinction

Because of both versions’ success, the song was uniquely both the first and last #1 R&B single of 1968 — Knight’s topped the chart the first week of January, Gaye’s the last week of December. Creedence Clearwater Revival also had a hit with an extended cover.

Classic Song of the Day · read it →

Can You Use It for Free?

How to check PD →
Is it public domain?No
Compiled from public sourceschecked Jul 2026

Sample History

Times sampled
Both the first and last #1 R&B single of 1968
Covers
First flip
Big names who used itMarvin Gaye · CCR

Who to Contact

GV
Whitfield & Strong (Motown)
The confirmed songwriters of record
Confirmed · checked Jul 2026
What they'll chargeNobody's shared numbers yet
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References

Every source cited on this page — 5 in total

Page history · 2 updates
Jul 2026Page created — full research (Research Queue Batch 17/18)
Jul 2026BPM/Key pending the automated GetSongBPM/Deezer pass
Last checked Jul 2026 · Compiled from Wikipedia, Wikidata, Discogs, MusicBrainz, Nolo, Stereogum, Songfacts.
This page is informational, not legal advice — always confirm current rightsholders before release.
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