Song Clearance Sheet
4 sources cited

Waltzing Matilda

Folk1890s
The verdict
Public Domain
In the public domain worldwide (all original creators died decades ago) — but with a genuinely bizarre, real US-specific anomaly: a false 1941 US registration (Carl Fischer Music) was never challenged and still stands, so Australia had to pay to use its own folk song at the 1996 Atlanta Olympics. See the Rights Status — royalties actually flow back to Australia’s Allans Music.
Used by independents?
Yesit’s in the public domain — free for any independent artist to use, with no clearance needed.
Quick Facts
Released1895
GenreFolk
More infoWikipedia →
Origin
Lyrics by Australian poet Banjo Paterson (Jan 1895) at Dagworth Station near Winton, Queensland; the melody was played by Christina Macpherson from her memory of an earlier march, itself based on a still-earlier setting.
Secondhandsongschecked Jul 2026
A poignant financial detail
In 1900, Paterson sold the rights to his verse (with several other pieces) to publisher Angus & Robertson for just five pounds — a small, quantified sum reflecting how little he personally profited from Australia’s most beloved song.
Rogerclarkechecked Jul 2026
A layered lineage
The rights later passed to Sydney tea merchant James Inglis, who had Marie Cowan rework the song into a Billy Tea advertising jingle, building on an earlier (now-lost) variation by composer Harry Nathan.
Wikipediachecked Jul 2026

Public domain is not one blanket badge — each source can carry its own caveat

Worldwide statusPublic domain worldwide
All original creators (Paterson d. 1941, Macpherson d. 1936, Cowan d. 1919) never personally claimed formal copyright; any legitimate protection long expired under standard Australian termsRogerclarkechecked Jul 2026
A real US-specific anomalyA false 1941 US registration still stands
Carl Fischer Music falsely registered the song as an original US composition in 1941. Never legally challenged, it has continued (with renewals). When Australia used the song at the 1996 Atlanta Olympics closing ceremony, Australian organizers reportedly had to pay licensing royalties to this American company for their own folk songRogerclarkechecked Jul 2026
But royalties flow back to AustraliaCarl Fischer has apparently acted only as a US-based licensing AGENT for the actual current rights holder, Allans Music (an Australian company) — so US-collected royalties were ultimately remitted back to Australia, not retained by the American company.
Rogerclarkechecked Jul 2026

Cultural Impact

Documented covers, adaptations, and cultural echoes — each with a real, dated source

A somber possible historical inspiration

The plot may draw on a real 1894 incident in which striking shearers burned down Dagworth Station’s shearing shed, with a pursued man taking his own life at a nearby waterhole rather than being captured. A documented possible inspiration, not definitively confirmed as the literal basis.

NFSA · read it →
Nearly the national anthem

In the 1970s it was one of several songs considered in a national public vote for Australia’s anthem, ultimately losing to “Advance Australia Fair.” The National Film and Sound Archive states there are more recordings of this song than any other Australian song.

NFSA · read it →

Can You Use It for Free?

How to check PD →
Is it public domain?Yes worldwide — but note a real, still-standing US registration anomaly (see Rights Status)
The song is public domain everywhere, yet a false 1941 US registration (Carl Fischer Music, acting as agent for Australia’s Allans Music) was never challenged and still stands in practiceRogerclarkechecked Jul 2026

References

Every source cited on this page — 4 in total

Page history · 2 updates
Jul 2026Page created — full research (Batch 5)
Jul 2026BPM/Key pending a separate manual keyfinder pass
Last checked Jul 2026 · Compiled from Wikipedia, Wikidata, Discogs, MusicBrainz, Nolo, Stereogum, Songfacts.
This page is informational, not legal advice — always confirm current rightsholders before release.
ConfirmedReportedUnknown