Remain in Light cover art
Song Clearance Sheet
4 sources cited

Once in a Lifetime

New Wave1980s
117BPM
D majKey
Tempo/key via GetSongBPM, Deezer
The verdict
Documented Sampling History
Confirmed songwriters of record (Byrne, Eno, Frantz, Harrison & Weymouth), no dispute found — Afrobeat-influenced, connecting to Fela Kuti (“Zombie”) in this catalogue.
Quick Facts
Released1980
AlbumRemain in Light
GenreNew Wave, Post-Punk
LabelSire Records
ProducerBrian Eno
Who you need to ask
The songwriters of recordByrne, Eno, Frantz, Harrison & Weymouth
Wikipedia · checked Jul 2026
The current administratorNot confirmed — originally Sire; needs a Songview/Discogs lookup
Unknown · checked Jul 2026
Has it been reused?
An MTV-era landmark (NPR “100 most important American works”; RRHOF “500 Songs that Shaped Rock and Roll”); Afrobeat-influenced, connecting to Fela Kuti’s “Zombie” in this catalogue.
Fandomchecked Jul 2026
Do they allow reuse?
No standalone policy found; confirmed songwriters of record and no dispute found.
Compiled from public sourceschecked Jul 2026

The two permissions you need, and who holds them

The song itself (the writing)David Byrne, Brian Eno, Chris Frantz, Jerry Harrison & Tina Weymouth
Produced by Brian Eno, released Jan 1981 as the first single from “Remain in Light” (1980, Sire). Developed through jam sessions directly inspired by Afrobeat — Eno introduced the band to the polyrhythmic styleWikipediachecked Jul 2026
The recording (current administrator)Not confirmed
Sire Records (original label) — needs a Songview/Discogs lookup. No dispute foundchecked Jul 2026

Receipts

Every public mention of terms, policy, or past deals we've found

A producer’s permanent “happy accident”

Brian Eno has admitted he misheard the original riff’s rhythm when he first heard the jam — and says he still mishears it to this day, counting the beat differently than the band did, giving the song “a funny balance” with “two centers of gravity.” The mistake became a defining, permanent structural feature. No lyrics reproduced.

Uncut · read it →
Sermons and the Velvet Underground

Byrne’s call-and-response vocal was inspired by American radio televangelist sermons — he sat and listened, pulling phrases to craft the lyric. Jerry Harrison’s Hammond organ climax was lifted directly from The Velvet Underground’s “What Goes On.”

Open Culture · read it →

Can You Use It for Free?

How to check PD →
Is it public domain?No
Compiled from public sourceschecked Jul 2026

Sample History

Times sampled
An MTV-era landmark (RRHOF “500 Songs”)
Covers
First flip

Who to Contact

OL
Talking Heads (Sire)
The confirmed songwriters of record
Confirmed · checked Jul 2026
What they'll chargeNobody's shared numbers yet
Cleared this one? Tell us what you paid →

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References

Every source cited on this page — 4 in total

Page history · 2 updates
Jul 2026Page created — full research (Research Queue Batch 14)
Jul 2026BPM/Key pending the automated GetSongBPM/Deezer pass
Last checked Jul 2026 · Compiled from Wikipedia, Wikidata, Discogs, MusicBrainz, Nolo, Stereogum, Songfacts.
This page is informational, not legal advice — always confirm current rightsholders before release.
ConfirmedReportedUnknown